Graduate student Steve Núñez‘s photo essay “Free the Land: Landscape Photography as a Decolonial Practice” has been featured in the Visual Culture Journal Refract, University of California, Santa Cruz.

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Exploring themes of race and shared ecologies across the Americas, the born-digital photography exhibition I’m New Here: Black and Indigenous Media Ecologies presents a hemispheric vision of African diasporic and Native life in the United States, Caribbean, and Latin America. The exhibition features experimental virtual reality (VR) and filmic components. In this curatorial essay, themes of the entangled dispossession of Native sovereignty and African enslavement are explored in the works of seven photographers from Trinidad to Wisconsin to Peru to Dominica. Artists Abigail Hadeed, Nadia Huggins, Kai Minosh Pyle, Allison Arteaga, steve núñez, Melia Delsol, and Dóra Papp provide a visual critique of the long history of racial capitalism, climate crisis, and Black and Indigenous presence. Together the photographic essays form a constellation, a vision of what environmental and racial justice can look like for the hemisphere after the catastrophe of European conquest. Speculatively picturing Black and Indigenous coalitions in the past, present, and future, the artists use the technology of the camera to frame nature, exploring visual aesthetic forms that seek not to replicate the capture of the colonial archive.

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