Author: Malley, Mary

Resilience and the Brown Babe’s Burden

Tracy Llanera, Editor

This volume examines the concept and practice of resilience from the perspective of Filipina philosophers. It investigates the double-edged nature of resilience and other key assumptions and ideas about human resilience and resilient cultures and institutions. The chapters in the collection are intersectional in approach, drawing from feminist theory, social and political philosophy, critical theory, pragmatism, virtue theory, social epistemology, and decolonial theory in their engagement of the theme.

Part of the Academics, Politics and Society in the Post-Covid World series, the book will be of interest to scholars and students of philosophy, political theory, feminist theory, philosophy of education, cultural studies, and development studies. It will be valuable to academics in Philippine Studies, Asian and Southeast Asian Studies, and Global South Studies.

Cover of "Resilience and the Brown Babe's Burden"

ELM2 | October 4-6, 2024

Dorit Bar-On and Utku Sonsayar stand at a podium in front of a PowerPoint slide, addressing attendees of the ELM2 Conference.

The Expression, Communication, and Origins of Meaning (ECOM) research group hosted their second Expression, Language, and Music Conference (ELM2) this past weekend to rave reviews. This event brings together researchers from linguistics, music theory, anthropology, neurobiology, cognitive science, philosophy, and more, with the aim of integrating recent findings and insights from diverse perspectives concerning, e.g. the significance of emotional expression for both music and language, the importance of systematic structure in both music and language, and the interrelations between expressive, musical, and communicative capacities and their relevance for understanding the emergence of language (in ontogeny and phylogeny). Attendees came from around the globe, traveling from China, Switzerland, Germany, Canada, Iceland, and more.

Thank YOU for this very stimulating and really well organized conference! It was fun and inspiring.

-Isabelle Charnavel, Université de Genève

Reception

The first day of the conference concluded with a reception at the Zachs Family Fine Arts Administration Building. Attendees enjoyed lively discussion, fine fare, and a musical performance evening, organized by Stefanie Acevedo (UConn Music Theory; IBACS) featuring performers from among our conference participants.

We could not have asked for a better scholarly venue or confab of scholars – their input will prove invaluable. And it was really wonderful to hear and enjoy their music-making at the reception which was such a beautiful and unexpected bonus.

-Peter Kaminsky, UConn Music

Woman plays piano.

Woman plays piano.

 

Speakers

ELM2 featured an impressive line-up of invited and contributing speakers across a variety of disciplines. Keynotes included: Aniruddh Patel (Tufts, Psychology), Paul Boghossian (NYU, Philosophy), Isabelle Charnavel (Universite de Geneve, Linguistics), Reyna Gordon (Vanderbilt, Psychology), Eduardo Mercado (U at Buffalo, Psychology), Philippe Schlenker (NYU & Ecole Normale Superieure, Linguistics), and Alison Wray (Cardiff, Language and Linguistics).

Thanks for a stimulating conference. That was probably the most multidisciplinary conference I've ever been to...

-Elliott Moreton, UNC-Chapel Hill

A small sample of our talks:

A man stands at a podium in front of large windows while lecturing to conference attendees.

What is the Role of Meaning in Musical Experience?

Paul Boghossian (NYU)

Paul Boghossian revisits the classic questions: Does music have an extra-musical meaning?  If so, what is it?  How is it determined?  And what role does it play in our appreciation of music?

A woman stands at a podium in front of large windows while lecturing to conference attendees.

Genomic discoveries shed new light on the biological underpinnings of human musicality and language

Reyna Gordon (Vanderbilt)

Studies of inter-individual differences in musical rhythm and language skills often show positive associations, even when the stimuli and tasks are quite different. Complementing neurocognitive explanations, in this talk I will focus on genomic approaches that are unraveling some of the shared variance between people's rhythm and language abilities. I will discuss the Musical Abilities, Pleiotropy, Language, and Environment (MAPLE) framework, and make a case that it will fill a key gap in our understanding of the etiology of individual differences in language acquisition and skill during the lifespan . We posit that musical and language-related abilities likely share some common genetic architecture (i.e., genetic pleiotropy) in addition to some degree of overlapping neural endophenotypes. I will present new genomic and epidemiological findings in support of MAPLE's predictions, revealing mechanistic underpinnings in the form of pleiotropy of rhythm and language traits and their downstream neurobiological processes influenced by that shared genetic variation.

One woman stands in front of lecture hall introducing the guest speaker, who is standing behind a podium.

Linking Music and Dance Perception: a Linguistics-based approach focused on Rhythm

Isabelle Charnavel (Université de Genève)

The specific goal of the talk is to apply the formal methodology of linguistics to the exploration of the interaction between music and dance rhythm perception based on specific case studies from the Western tradition. The more general goal is to shed further light on the organizational principles governing the mental representations induced by dance and music perception, as well as their relationship, by distinguishing between general cognitive properties and modality-specific or domain-specific properties

A woman stands at a podium in front of large windows while lecturing to conference attendees.

Phonological Rhythm Constrains Speech and Musical Gestures

Kathryn Franich (Harvard)

In many musical traditions, rhythmic aspects of spoken language interact with musical form. Theorists studying the music of West and Central Africa have alluded to the importance of spoken language rhythm in shaping musical form; however, little linguistic work has sought to understand the rhythmic properties of languages spoken in sub-Saharan Africa. I draw on patterns from 2 multi-modal corpora of language and gesture for speakers of Medʉmba and Igbo to demonstrate that rhythmic structure is not only a critical component of linguistic grammar for these languages, but also serves as a locus for coordination of linguistic and musical gesture.

A man with long hair stands behind a podium presenting a PowerPoint slide to conference attendees.

Emotive Expressions and Discourse Structure

Christian De Leon (Williams)

Emotive expressions (including facial expressions, emotive markers, emoji, linguistic expressives, and emotional prosody) are classically analyzed as contributing content that is aside from the "main point" of an utterance—contributing not-at-issue content. I argue that emotive expressions enable a special kind of speech act that is unpredicted by standard views. I present data that show how an emotive makes a speaker's expressed attitude available for explanation, regardless of medium (e.g., prosody vs. written "damn") or whether the attitude makes sense in context. I develop a dynamic discourse semantics on which emotives make public commitments available for certain anaphoric relations.

A man stands at a podium in front of large windows while lecturing to conference attendees.

Musical Neurodynamics

Ed Large (UConn)

A great deal of research in the neuroscience of music suggests that neural oscillations synchronize with musical stimuli. One well-known consequence of synchronization is expectation; however, neural synchronization has far-reaching implications for music. I will describe how fundamental dynamical principles based on known neural mechanisms can explain basic aspects of music perception and performance, as summarized in neural resonance theory (NRT). Building on principles such as resonance, stability, attunement, and strong anticipation, I suggest that people anticipate events not through predictive neural models, but because brain-body dynamics physically embody musical structure. The interaction of certain kinds of sounds with ongoing pattern-forming dynamics results in patterns of perception, action, and coordination that we collectively experience as music. Statistically universal structures may have arisen in music because they correspond to stable states of complex, pattern-forming dynamical systems. This analysis of empirical findings from the perspective of neurodynamic principles sheds new light on the neuroscience of music and on what makes music powerful.

A man stands behind a podium presenting a PowerPoint slide to conference attendees.

The Metasemantics of Music

John Schindler (Pittsburgh)

Many believe that, in addition to expressing emotions, music represents extramusical ideas; however, there is scant philosophical literature discussing what it is for a piece of music to have a particular representational meaning—music’s metasemantics. To answer this question, I distinguish between a musical sound’s descriptive meaning—how it tends to be interpreted—and its normative meaning—how it ought, aesthetically speaking, to be interpreted. I reductively analyze both concepts in terms of hearing a sound as something else. I then argue against two alternative proposals; descriptive musical meaning can be analyzed neither in terms of resemblance nor in terms of musicians’ communicative intentions.

Posters

Select participants were invited to present their research posters, which sparked lively discussion.

Perceptual Content

William G. Lycan, Author

Perceptual Content is the first book to discuss and compare the representational characters of all the traditional "five senses". It has three main topics or concerns.

  1. The diversity of the senses: though Lycan maintains as a working assumption that all perception represents, the similarity between sense modalities ends there. The senses' respective representational modes, styles and structures -- not just their mechanisms -- differ very strongly from each other.
  2. The Layering thesis: Lycan argues that a single sensory representation usually has more than one content, the contents systematically related to each other by a priority or dependence relation. More specifically, a perceptual state may represent one object or property by representing a more primitive or less ambitious one; he calls this the "layering" of content. For example, by hearing a sound sequence involving such-and-such volumes and timbres, you hear a voice speaking, and by hearing the voice, you hear words in a language. In some modalities layering works unexpectedly: nearly all tactile representation derives from representation of conditions of or in the subject's own skin, meaning that touch represents, e.g., the texture of a physical object by, and only by, representing stress within the skin; and even among the skin conditions, some are represented only by representing more primitive ones.
  3. Aspect perception: despite Wittgenstein's famous discussion of "seeing as" in a late section of Philosophical Investigations, little has been written on perceiving-as. Besides its intrinsic interest -- even popular appeal, what with joke ambiguous figures such as the duck-rabbit and the old/young woman -- it remains especially mysterious. Nearly all work on it has concerned vision only. But it is crucial for understanding auditory representation, which is one thing that distinguishes hearing from the other senses. Further, the auditory case severely damages what Lycan and others had thought was the best approach to understanding aspect perception, in terms of attention.

Reasoning with Attitude

Julian Schlöder, Author

Certain combinations of sounds or signs on paper are meaningful. What makes it the case that, unlike most combinations of sounds or signs, they have meaning? What is this meaning that they have? And what is it to understand this meaning? This book advances new answers to these questions by developing inferential expressivism, a novel approach to the study of meaning which combines elements of the expressivist and inferentialist programs.

Expressivists explain the meaning of words in terms of the attitudes that words are used to express; inferentialists explain the meaning of words in terms of the inferences that words are used to draw. Reasoning with Attitude lays out the foundations of inferential expressivism by defending the view that the meaning of an expression is to be explained in terms of the inferences we draw involving the attitudes we express. As the book shows, by joining forces, expressivism and inferentialism can meet their key challenges whilst retaining their distinctive insights and advantages. Notably, inferential expressivism solves the Frege-Geach Problem plaguing expressivism, and addresses the charge that inferentialism has limited applicability. The book demonstrates the fruitfulness of the inferential expressivist approach by applying it to several open questions in semantics from different areas of inquiry, including epistemic operators and conditionals in the philosophy of language, negation and the truth predicate in the philosophy of logic, and normative vocabulary in meta-ethics.

The Oxford Handbook of Moral Realism

Paul Bloomfield, Editor

“Moral realism” is a family of theories of morality united by the idea that there are moral facts--facts about what is right or wrong or good or bad--and that morality is not simply a matter of personal preferences, emotions, attitudes, or sociological conventions. The fundamental thought underlying moral realism can be expressed as a parity thesis. There are many kinds of facts, including physical, psychological, mathematical, temporal, and moral facts. So understood, moral realism can be distinguished from a variety of anti-realist theories including expressivism, non-cognitivism, and error theory.

The Handbook is divided into four parts, the first of which contains essays about the basic concepts and distinctions which characterize moral realism. The subsequent parts contain essays first defending the idea that morality is a naturalistic phenomenon like other subject matters studied by the empirical sciences; second, that morality is a non-natural phenomenon like logic or “pure rationality”; and the final section is dedicated to those theories which deny the usefulness of the natural/non-natural distinction. The twenty-five commissioned essays cover the field of moral realism in a comprehensive and highly accessible way.

Expression and Self-Knowledge

Dorit Bar-On, Co-Author

Contemporary epistemologists and philosophers of mind continue to find puzzling the nature and source of privileged self-knowledge: the ordinary and effortless ‘first-person’ knowledge we have of our own sensations, moods, emotions, beliefs, desires, and hopes.

In Expression and Self-Knowledge, Dorit Bar-On and Crispin Wright articulate their joint dissatisfaction with extant accounts of self-knowledge and engage in a sustained and substantial critical debate over the merits of an expressivist approach to the topic. The authors incorporate cutting-edge research while defending their own alternatives to existing approaches to so-called ‘first-person privilege’.

Bar-On defends her neo-expressivist account, addressing the objection that neo-expressivism fails to provide an adequate epistemology of ordinary self-knowledge, and addresses new objections levelled by Wright. Wright then presents an alternative pluralist approach, and Bar-On argues in response that pluralism faces difficulties neo-expressivism avoids. Providing invaluable insights on a hotly debated topic in epistemology and philosophy of mind, Expression and Self-Knowledge:

  • Presents an in-depth debate between two leading philosophers over the expressivist approach
  • Offers novel developments and penetrating criticisms of the authors' respective views
  • Features two different perspectives on the influential remarks on expression and self-knowledge found in Wittgenstein’s later writings
  • Includes four jointly written chapters that offer a critical overview of prominent existing accounts, which provide a useful advanced introduction to the subject.

Expression and Self-Knowledge is essential reading for epistemologists, philosophers of mind and language, psychologists with an interest in self-knowledge, and researchers and graduate students working in expression, expressivism, and self-knowledge.

Cover of "Expression and Self-Knowledge" by Dorit Bar-On and Crispin Wright.

Black Existentialism and Decolonizing Knowledge

Lewis R. Gordon, Author and Co-Editor

Black Existentialism and Decolonizing Knowledge collects key philosophical writings of Lewis R. Gordon, a globally renowned scholar whose writings cover liberation struggles across the globe and make field-defining contributions to the philosophy of existence, philosophy of race, Africana philosophy, philosophy of human sciences, aesthetics, and decolonization.

Gordon's expansive output ranges across phenomenology, anti-Blackness, activist thinkers, sexuality, Fanon, Jimi Hendrix, Black Jewish struggles, critical pedagogy, psychoanalysis, and Ubuntu philosophy. Edited by Rozena Maart and Sayan Dey, two decolonial thinkers from South Africa and India, this reader shifts attention away from colonial centres of power, encouraging global dialogue across students, scholars, and activists. Featuring a foreword by the celebrated novelist and postcolonial thinker, Ngugi wa Thiong'o, this reader includes a mixture of research articles, short critical essays, reflections, interviews, poems, and photographs in the creative pursuit of liberation.

Tracy Llanera: CLAS Diversity, Equity, and Inclusion Grant

Congratulations to Assistant Professor Tracy Llanera, who has been awarded a CLAS Diversity, Equity, and Inclusion Grant to support her work titled “Resilience: A Workshop for Women Doing Philosophy.” Dr. Llanera’s work has already inspired an intellectual movement in the South Pacific, in which Indigenous and other South Pacific women of color working in philosophy have created a Women Doing Philosophy group and project. The result is a series of influential journal articles, conferences, colloquia, and a proposed anthology on resilience. The proposal for the anthology has been enthusiastically received by the series editors for the Routledge-India series Academics, Politics and Society in the Post-Covid World.