Emerita Professor Ruth Milliakn will deliver the 2022 Sanders Lecture at the 119th Meeting of the APA Central Division. The annual Sanders Lecture was established in 2013 to honor a distinguished scholar in philosophy of mind, metaphysics, or epistemology who engages the analytic tradition. The paper is titled “40,000 Words in 14 Years” and is scheduled on Thursday, February 24, 10:00 a.m.–Noon.
Fear of Black Consciousness
Tom Meagher: “Existential Psychoanalysis and Sociogeny”
Check out alumnus Tom Meagher’s recent article in Sarte Studies International, “Existential Psychoanalysis and Sociogeny.”
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This article explores Sartre’s existential psychoanalysis as a phenomenological method for apprehending the fundamental project of the existent through an examination of the anonymous features of human desire. In grasping the anonymity underlying the “I want,” existential psychoanalysis seeks the meaning of freedom from a standpoint of alterity. I then analyze Fanon’s Black Skin White Masks as a work of existential psychoanalysis which hinges on his use of “sociogeny” to diagnose the alienation of Black existents. Finally, I conclude by examining the implications of a Fanonian existential psychoanalysis for anti-racism through a discussion of Michael Monahan’s critical reflections on the notion of being nonracist.
Steve Núñez: “I’m New Here: Black and Indigenous Media Ecologies”
Graduate student Steve Núñez‘s photo essay “Free the Land: Landscape Photography as a Decolonial Practice” has been featured in the Visual Culture Journal Refract, University of California, Santa Cruz.
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Exploring themes of race and shared ecologies across the Americas, the born-digital photography exhibition I’m New Here: Black and Indigenous Media Ecologies presents a hemispheric vision of African diasporic and Native life in the United States, Caribbean, and Latin America. The exhibition features experimental virtual reality (VR) and filmic components. In this curatorial essay, themes of the entangled dispossession of Native sovereignty and African enslavement are explored in the works of seven photographers from Trinidad to Wisconsin to Peru to Dominica. Artists Abigail Hadeed, Nadia Huggins, Kai Minosh Pyle, Allison Arteaga, steve núñez, Melia Delsol, and Dóra Papp provide a visual critique of the long history of racial capitalism, climate crisis, and Black and Indigenous presence. Together the photographic essays form a constellation, a vision of what environmental and racial justice can look like for the hemisphere after the catastrophe of European conquest. Speculatively picturing Black and Indigenous coalitions in the past, present, and future, the artists use the technology of the camera to frame nature, exploring visual aesthetic forms that seek not to replicate the capture of the colonial archive.
Jane Gordon: “Post Rosa: Letters Against Barbarism”
Margaret Gilbert: 2022 Dewey Lecture
Lewis Gordon: Most Anticipated Book of 2022
Dorit Bar-On: “How to do things with nonwords” (Biology & Philosophy)
Tracy Llanera: “The Misogyny Paradox and the Alt-Right” Accepted by Hypatia
Junyeol Kim – Winner of the 2021 APA Routledge Taylor & Francis Prize
Congratulations to alumni Junyeol Kim, who has been awarded the 2021 APA Routledge Taylor & Francis Prize for the article “The Horizontal in Frege’s Begriffsschrift” (Synthese, 2020). This prize is awarded for the two best philosophical articles written by adjunct professors.
***Abstract from article***
This paper addresses an issue with the sign ‘’ in Frege’s mature version of Begriffsschrift, i.e., the version in ‘Function and Concept’ and Grundgesetze. The sign is a performative for asserting in that writing down ‘’ is equivalent to asserting that p. Frege further says that writing ‘’ is also equivalent to identifying the reference of ‘p’ with the truth-value True. It looks as if he holds that asserting that p consists in identifying the True with the reference of ‘p’. Frege’s commitment to it, however, seems to encounter a number of tensions. This paper aims to show that these tensions can be avoided by endorsing a non-assertive conception of identification under which making an identification is not making an identity assertion. The suggested reading leads to an entirely different understanding of the compositionality of the sign ‘’ as well as Frege’s conception of assertion and judgment.